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  • Welcome to the new Thriving Too community blog which aims shamelessly to prove the case for optimism by revealing the explosion in positive human thoughts, creations and actions from around the world.
  • Thriving aims to support a growing network of imaginative people working in social innovation, creativity, education, and community and network development.

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Design

July 05, 2009

Largest Eco-Village Build

HanHam Hall Development, HTA, Barratt Developments, Homes & Communities Agency, Zero Carbon Homes, Eco-Friendly Development, Sustainable Building

Great article in Inhabitat

"The United Kingdom’s Hanham Hall Development is the largest eco-village aspiration to date. Designed byHTA and funded by Barratt Developments and the Homes & Communities Agency, there are a rumored 188-195 zero carbon homes in the overall housing scheme. The development will include an onsite biomass CHP plant, strategically placed reed beds, shops for farmers to sell their goods, bicycle storage throughout, and a carefully crafted drainage system. Hanham Hall is the first major eco city underway that is part of the government’s Carbon Challenge Programme. The government has set a goal for all new builds to be zero carbon by 2016. It looks as though they are six years ahead of the curve."

June 29, 2009

Newspaper to New Paper

Newspaper


Newspaper to New Paper from Dentsu, Tokyo, is an award winning design project, which saw the designers taking old newspaper, overprinting with bright patterns and using the paper to package vegetables. 

"Under the “Newspaper for New Paper” project we utilised what was already there – the newspapers – and added an element of design that would be playful and make people smile… both those selling the vegetables and those buying them. By re-using old papers that would be thrown away, the project was friendly to the environment as well as to the budget. By simply adding colourful dots or stripes to the old paper we came up with a totally new package design."

Sales and customers have grown by 20%.

To read more see Osocio  Newspaper2 

Colalife Update

We have written many times about the brilliant Colalife campaign to distribute life-saving medicine through piggy backing on Coke's distribrution system in Africa (to begin with). They have been very busy developing the 'pod' designed to nestle in the existing crates - here is what they have been up to:

AidPod Mark III model 017
Mark III AidPod

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Giant Aidpod in NESTA's reception area.

June 16, 2009

Traditional Gifts



Labour and Wait, in Cheshire Street in the top half of Brick Lane, East London, do some unusual but traditional products that you can order by post, including the brush holder, pinhole camera kit and the bird caller pictured below.

June 15, 2009

The Tree

Trees The Tree is a space divider designed by Professor Eero Aarnio for Martela Oyj's collection.Each Tree sold will produce four fruit trees in Peru. The fruit trees will benefit 300 families and 800 children regionally. Planning for the two-year project has already started. The project will prevent erosion and have a long-reaching impact.

May 11, 2009

Information Design....

This downloadable booklet is really good! 



May 10, 2009

We Love Typography

If you like type you will love this site!

Type

May 05, 2009

A Delicious Work Space

Selgas-Cano-Office-2507.jpg


What could be nicer? Via: Iwan Baan

April 25, 2009

Exactly what it says on the tin

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Crazy fruit juice packaging that looks and feels like the real thing by Japaense industrial designer Naoto Fukasawa.

Check out the fuzzy kiwi boxes...

April 18, 2009

Chocolate Research Facility

The Chocolate Facility in Singapore has 100 different flavours of Chocolate, an amazing shop design and some fun packaging.Choc2

Choc1

March 27, 2009

Playing House

Confused and inspired by this amazing house.Playing house

Playing house 2

February 24, 2009

The Story of Co-Design from Thinkpublic

A really great video from  thinkpublic
The Story of Co-Design from thinkpublic on Vimeo.

February 05, 2009

Hand-me-downs

M_jacket-2

The lovely people at Howies are concerned about the throw-away nature of so much of today's fashion.

So they are making hard-wearing, 10 year life products, specifically designed to be passed on to continue life with someone else.

If anyone is wondering, I really like the satchel ...

Let's think longterm.

February 02, 2009

1 small lesson for organisations about supporting network innovation

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Two organisations in the U.K. - the Royal Society of Arts and NESTA - are carrying out research in to how people can innovate in networks, rather than either on their own or simply with the person the other side of the waste basket.

In another part of the park, J.D. Stanley at Cisco has been working hard for several years on Digital Swarming: or how to combine inputs from people, machines and other data sources, digitize them and place them on to networks. 

All of this work falls in to the category of trying to understand how people can create, collaborate and share new ideas across dispersed places and spaces.

It's exciting, important and without a doubt what matters in a world in which the connectedness of people, information and technology is all-pervasive. But is there something missing?

Sometimes, animals don't relate but share stuff and copy one another.

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At other times, states or experiences change by accident or projection.

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In other words, some relationships form on the basis of what writer and Kentucky farmer Wendell Berry once called sympathetic vibration and saw in the behaviour of a violin:

The A string of a violin is designed to vibrate most readily at about 440 vibrations per second: the note A. If that same note is played loudly not on the violin but near it, the A string may hum in sympathy.

Put another way, what may matter in networked innovation is not just mechanics or structure, but also tone - a tone that's set not just by trust but also momentum, and the design of a stage upon which people feel able and want to perform.

Image of Eliasson installation courtesy of Anna Maria Leon, horses by grandylion, window reflection by lux fecit.

January 10, 2009

How to live in a tiny house

Tumbleweed

The concept of tiny houses and living really, really small hasn't caught on in the UK (yet) but in the USA it is starting to get considerable coverage. This is largely due to Jay Schafer of the Tumbleweed Tiny House Company (though honourable mentions should also go to Kent Griswold's Tiny House Blog and Michael Janzen's Tiny House Design - there's also a nice piece in the New York Times Steven Kurutz, The Next Little Thing). Fortunately though, Jay will be coming to these waters in September to give several workshops on the practicalities of small living, in London (September 12 and 13) and Dublin (September 19 and 20) from 9am to 5pm, venues to be announced.

These will cover how to build a tiny house from the foundation to the roof plus a look at building basics, types of trailers, heaters, kitchen equipment and windows. They will also look at design and "the human element of living in a smaller space". Pictured above to whet your appetite is Tumbleweed's smallest model, the XS, at a titchy 65 square feet, minimalist living taken to a spectacular level. It measures just 11’ x 7’ and includes a kitchen, bathroom, sleeping loft and because it's on wheels you can also tow it around (there's a marvellous FAQ on the site 'Can somebody steal my house?'). And here's the man himself to show you around...

"Design matters, like never before."

Dogoodfrontcoverlarge

Early this month design specialist David Berman launched his new book "Do Good Design: How Design Can Save the World". Unlike many socially or ethically dedicated design/creative texts Do Good Design is primarily focused on communication design. 

"Design matters, like never before. Designers create so much of what we see, what we use, and what we experience. In this time of unprecedented environmental, social, and economic crises, designers will choose what their young profession will be about: inventing deceptions that encourage overconsumption -- or helping repair the world. Today, everyone is a designer. And the future of civilization is our common design project."

You can find out more about the book here. And please support the Do Good Design project on FACEBOOK, take the professional social responsibility pledge, and view or post your "Doing Good" design examples on the FLICKR group (thriving is already listed of course).

January 07, 2009

For the Public by the Public

Forthepublic In a bid to engage with local community shop owners and allow them to voice their opinions on their environment, 'For the Public by the Public' was a social design project undertaken in 2007 by UK graphic designer Chris Clarke


Chris plunged himself into the community heart of Bristol, setting out to uncover a new communication catalyst that would enable a community of local shop owners to voice and share their cultural experiences. After asking them to write down messages about their local area, Chris sourced local sign writers to convert these messages into shop signs. The responses (signs) were then placed on discarded shops, and under the project title “For the Public by the Public”, collated into a book and exhibited at Bristol’s Conway and Young ‘Open’ gallery (a previously discarded shop). “The exhibition gave voice to a collection of memories offered by the community, sharing with the public a history of its otherwise invisible environment.” 

Explaining the reasoning for engaging so closely with local voices, Chris notes; “The UK is saturated with regeneration schemes. […] But, so often [they] ignore the strengths and ideas already present in the communities they are actually renovating.” 

Well done Chris, a lovely project and inspiring community dedication!

November 26, 2008

Power to the Poster

Great site offering punchy posters on social issues for free downloads - Power to the Poster

Via: The Groundswell Collective

PosterPosters

July 08, 2008

RSA Design Directions

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A couple of the winners of the RSA Design Direction caught my eye, although all the winners and entrant's work seems amazing.

Alex Ostrowski approached The Frenchay Brain Injury Rehabilitation Centre in Bristol to see how he might use design to help in some way. It emerged that all patients suffer from post-traumatic amnesia and experience confusion in their sense of time, place and person. The term for this lost understanding is disorientation, something the unit is responsible for regaining with patients. Alex worked closely with staff to establish an appropriate colour system to bring holistic navigation to the unit, which we could apply to patients' timetables, orientation boards, and the building itself and the project resulted in a book entitled 'I am here'.
Alex2_2
Alex1_2
Jim Rokos designed 'Mind-plan', a tool that captured the user-centred nature of the brief, to help patients recovering from mental illness and who find it hard to plan a balanced life and fulfil their daily needs. A healthy balanced life allows recovery to continue and reduces the possibility of a relapse. Mind-plan is based on Maslow's psychological theory, Hierarchy of Needs, which many people perceive as the definitive set of five human needs.
Mindplan

April 28, 2008

Designing the Revolution

Once upon a time at the Groundswell Blog, we issued an open response to Alix Rule's The Revolution Will Not be Designed.  She argued that the new trends that unite design and activism are problematic and ineffective at best - harmful to social justice at worst.  We're impassioned people, and believe firmly in the power of art and design to make a difference.  We believe that socially conscious design is an phenomenon for activists to consider. Decentralized, organic, and social justice oriented, it has all the markings of a successful grassroots movement. What follows is a brief summary of our response.

Our role as designers demands of us social change solutions.

The success of social design to date has been to harness a money and goods driven industry and turn its focus towards social justice.  Designers and artists are trained to be innovative, and we are trusted by others to fulfill that role.  For this reason, our solutions should get at the root of social issues, rather than address symptoms. We should move past social engagement and enact social change.

Creativity can be a social contribution, but only in so far as society is free to use the results.

While we are fortunate enough to innovate and problem solve outside the usual activist confines, we frequently miss the point when we limit ourselves to design thinking.  This is central to Alix's argument, and where I agree with her fully.  Eco-fashion won't save the world, but we can contribute tools and strategies that activists (and others) can use.

The problem is a lack of direct democracy.

So, how do we begin to build more just societies as designers and artists?  Here's our three-step plan:

  1. Ditch the traditional clientèle.
  2. Work with social change agents and organizations, especially within your community.
  3. Ensure that the community served has direct input in each new venture.

This seems old-hat to community activists and organizers, but is news to designers.  The approach is making waves in architecture particularly, where participatory design is literally starting to shape what communities look like.

The Revolution Will Not Be Commercialized

Advertising, that old voice of capital, is a tactic that social change organizations regularly employ these days.  There's a danger in this kind of work - we're not always informed enough to notice when a company is greenwashing, for example.  If we're going to design ads for these activists, we should be critically aware of the medium we're working in. There are many ways to do this, and I invite suggestions.

It’s about the role of design in the community and how you participate in constructing society.

Different people are affected by injustice in different (sometimes many) ways. The notion of overlapping injustices serves as a critique (or a condemnation, depending) of an unjust system. It’s a recognition that social and power dynamics are asymmetrical, and that social justice is a thornier problem than it may appear on the surface.  Challenging ourselves to work with many and disparate groups helps us to use this key to achieving social justice.

Activist design can change not only the social role that designers play, but if we involve the community in our work, we’ll have a strong and direct impact. Our job is not to repair unjust systems, but to disrupt them and hand out the tools with which to skirt or dismantle them. To the drawing board!

April 23, 2008

Love the visual

This is the listing of 'happy' on the Visual ThesaurusHappy

February 10, 2008

Handle with Care - especially on Valentines Day!

Pig_2
Sweets1
Bittersweets available from Despair.com. Personally I can't see anything wrong with being 'Dork Magnet'.

January 31, 2008

Stay in a drainpipe

Why stay in a hotel room when you can spend the night in Stylish drainpipe? If it is made of concrete is it still possibly a green option?
Tube2

January 20, 2008

Folk Art - BIG

Lace1
The Polish government chose a winner in the design competition for the Polish pavilion at the 2010 world expo in Shanghai before Christmas. The winning entry was design by architects Wojciech Kakowski, Marcin Mostafa and Natalia Paszkowska. Their building is inspired by traditional Polish folk art paper cut-outs reinterpreted in a contemporary fashion. The idea was generated when the team sought to create a 'cultural ideogram' that would signify the country of origin in an iconic way.
Lace2

January 19, 2008

Meaningful Design

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July 2009

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